ext_178476 (
ideealisme.livejournal.com) wrote in
picowrimo2012-11-01 12:20 am
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Picowrimo - Day 1
At twenty past midnight local time!
Greetings all. You know what to do. You know where to do it. Go! :)
Greetings all. You know what to do. You know where to do it. Go! :)
no subject
I have realised, looking back over past Picos, that the ones I most enjoyed and which were most productive, were the ambitious ones when I set myself a goal of being really disciplined about writing, rather than the ones where I was gentle on myself and set a low word count. So this year I shall aim for a 1,000 words a day on
The Never-Ending StoryMusic II (with the caveat that the word count is whatever I've got up on my screen at the end of the session - so rewriting absolutely counts, as do any new words interpolated during edits).I don't plan to focus too much on quality at this stage. I think I've been working on this for as long as ideealisme has on White Feathers and her progress on that puts me to shame. I want to get a first draft in place, dammit, and if that means leaving in the rough edges while the plot works itself out, so be it.
In case anyone's new to the comm, Music II is original fic about the consequences of an art theft in Vienna in 1938 immediately after the Anschluss with Germany, but the parts I'm working on at the moment are set during the war, where one of the thieves has become a film star and spy for the Allies, and another is working as an "art advisor" to Ernst Kaltenbrunner, the head of the Austrian SS (a third has fled to England and is making black propaganda - radio broadcasts in German aimed at undermining German morale - and the fourth has managed to escape the gas wagons at Maly Trostinec and has gone underground).
Having said all that, I'm not actually going to start writing anything till Monday, as I'm off for a long weekend in the countryside near Salzburg, minus dogs, kids and work, and my goals for that period are to eat lots, sleep lots, read lots and go for walks whenever the weather allows. See you all on the 5th! And happy Picoing!
no subject
no subject
no subject
no subject
no subject
no subject
no subject
That sounds like a very interesting story!
Hope you have a nice holiday and come back full of writing energy!
no subject
Enjoy your long weekend, and I shall look forward to your excerpts.
no subject
no subject
My goals for picowrimo this November (I was going to say "this year" but then I remembered we had a mid-year Pico! Which is all to the good.):
* to finish my cof_remix story, which is due on the 10th.
* at the minimum, write something every day, even if it's just one sentence.
I haven't decided what to do after the 10th. I have too many WIPs to choose from. In both good and bad news, after reading the excellent "Wired For Story" I've realized why three of my WIPs have stalled, which is good, but it also means I have to re-think and re-outline them in order to solve that problem, which is daunting. The problem with all three is that I didn't have an Issue for the protagonist to deal with, or I did have an Issue and it's already been dealt with before the rest of the plot resolved. Hence the need to re-think.
However, before I get caught up in that, I MUST work on my cof_remix story, and I don't want to get distracted from that; which is why I haven't decided what to do after the 10th. Yet.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
In any case, I gave "Arthur's Quest" a moderate kick in the backside and came up with about half a page for Chapter 15 - which is woefully little for me, but at least I've moved the chapter from the dead point, even if only a little.
Excerpt:
“That, indeed, has been your destiny from the day on when you were born,” said the Dame Brisen slowly. ‘A destiny so burdensome and dangerous that your father backed away from it on the day he was asked to choose. That way why he warned you many times never to use your magic ring: for once you chose to wield your magic, your destiny was bound to catch up with you.”
“So be it,” answered Gilli simply. “I am a sorcerer. I’ve always been one. I was born as one. I can as well act as one.”
“But it will be dangerous,” warned him the enchantress. “The evil forged by your grandsire in very strong. You may have the strength to fight it; you may not have the strength to survive such a fight, though.”
“I know,” said Gilli, but it is my destiny. And it is better to die in a battle against evil, fulfilling my destiny, than waste my life away as the stable boy of a princess, no matter how lovely that princess is.”
no subject
Of course eventually the conflict between his vocation and the princess is going to intensify, I suspect, and he won't answer as confidently.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Inverts
"Mind you, we all know why Mr Duncan isn't married."
Eva contemplated the image of the round-faced Mr Duncan with some puzzlement.
"Well he is no Adonis, but I don't see why not. Plainer men than he have married perfectly happily."
"He's not the marrying kind, Eva."
"Not the...?"
"Oh for goodness sake," Sybil hissed, "he's an invert."
Eva shook her head, still nonplussed. "You mean he likes standing on his head?"
"Eva, Eva, Eva," Sybil said, putting an arm around her shoulders, "we need to talk."
She ushered Eva into an alcove for a moment.
Five minutes later, as they came out, Eva said, "All right, I think I understand. So an invert is a man falling in love with a man, or a woman with a woman -"
"Keep your voice down! Yes. That's it. Though it's very rare for women. Usually it's men - and please don't say it aloud about Mr Duncan, or he could go to prison. Eva, what were you told about life? We all find out somehow. My mother wasn't much use, I grant you. But I had a wonderful nanny. Told me and Bo everything."
"Bo?"
"George. My brother. Though I've never called him that and he never calls me Sybil. To him I'm Pinkie."
"I see." Eva said. [...]
"Oh, and Sybil?"
"Yes, Evie, what now?"
"You said that women knew nothing when they got married. But the men. How do they learn what to do?"
"Oh Eva, you really are like a child. Ladies of the night, of course. How else?"
no subject
My attention was captured immediately by this conversation. This finishing school may actually impart some information.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Also, as Yuletide is earlier this year, I intend to write some Treats. I started one last weekend and despite having opened it this week, didn't do anything on it. But with pico starting I managed to edit it this evening. It's looking better, but still needs some more editing. My goal is to get it finished by the end of the weekend.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
I am still on a Sherlock phase. I have an outline of the story almost done. Despite it not all being captured in written words yet, I have started fleshing out some of the scenes. This may also be unwise. There will be much revising. In this section, Sherlock has found a wrapped package hidden in John's room and is trying to puzzle out its significance. He has already offered one hypothesis which John refuted.
***
John switched on the kettle, got out a carton of eggs. Sherlock was still buttoning his cuffs as he walked into the kitchen.
“Tea?” John asked.
“Afghanistan isn’t known for that kind of cloth,” Sherlock stated.
“No,” John replied, as he held an egg up to the light. “But it’s on the Silk Road.”
“I haven’t done anything to the eggs,” Sherlock said. “Someone there, then,” Sherlock suggested. “Serving with you.”
John lowered the egg. The sun hot on the back of his hand. John squinted from beneath it to survey the make-shift souk at the edge of the base, brilliant with silks, alive with a Babel hum.
no subject
I did have to re-read the line of dialogue where he does that though.
That last sentence is really evocative and beautifully written.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Lifting the papers out as a block, she took them over to the big desk in case she needed to spread them out. The first sheet was a letter to Lionel from an acquaintance who obviously considered himself a history buff, or whatever the Victorian equivalent might have been. He wrote that the evidence regarding Lionel's ancestor – which one, Linda wondered – was unproven at best, but pointed to Charles de Peverel having been acquainted at the very least with Sir John Hawkwood. Certainly de Peverel might have fought at Crécy. There was no reason to suppose that he hadn't conveyed the message that allowed the Black Prince a degree of success at Carcasonne, even though the English forces had never overthrown the citadel itself. Equally however, there was no evidence that he had ever been a part of that campaign. The whole story was a charming family legend, and if Lionel thought there was scope for a painting, or a series of paintings, depicting his ancestor then the enclosed might be of interest.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
The Story: Resolution.
The Goal: 200 words per day.
Background: This is a MFU fic, a gift for Elmey, started a very long time ago. After working on it during the summer Pico, I've been hunting and pecking away at it on and off at an astonishingly slow pace. Slow, even for me:) Working my way through a ***cough cough*** lengthy bout of writer's constipation.
Today I worked on a scene I have labelled in the draft as 'Follow and Swallow'. Solo is about to be captured after meeting a contact at a cafe. I will probably have to tinker with the choreography as I work the whole thing out, but here's some of it:
***
A half-block ahead of Solo, a black sedan rounded the corner and pulled over, its engine idling. A second black sedan sped from behind, skidding past him to jump the curb, blocking his path. The rear doors of the car burst open and two stocky men in black coats leaped out. Solo twisted around to find the two men from the café trotting up, their hands digging into the deep side pockets of their winter coats, going for their guns.
Solo transferred the schnecken to his left hand and thrust his right hand into the opening of his coat. He scrabbled around in his inside jacket pocket and snagged the object his contact had passed him: a capsule no larger than a Contac time-release cold pill. He pressed the capsule into the cinnamon roll and took a hasty bite. The capsule was made of titanium, virtually indestructible. It’s going to be time-released, all right, he thought, and swallowed.
no subject
This scene is delightfully visual. I hope escape or rescue is not too long in arriving.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Poor Napoleon! He'd better find the thingy that it will stop him self-destructing, and toute suite. Interesting set-up.
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
So what was the first thing I did? Start off on something entirely unconnected, of course :) In the middle of last week I had a sudden urge to write a spin-off of a spin-off of the "Traveller" novel I did a few years back. It's the story of a minor character's part in that first spin-off story. It may work, or it may not. Somewhat to my surprise, I find that I actually clocked up 390 words of that side-project (henceforth known as "Eleanor") today.
Meanwhile I did manage 90 words of "Catherine" at lunch time, but not having counted up the other until just now, I sat down after dinner to try to reach my target for the day. It was hard at first - the story has reached a point where my outline plan is non-existent - but once I'd got a scene going it flowed fairly well, resulting in a further 700 words. Gosh!
Today's snippet, where Catherine has returned from a trip in which she's discovered some important things, and got home late:
She turned to her dad again. "I'm sorry I was late home without telling you, but I didn't know we were doing this today."
"That's okay, sweetie," he said. "Two men from the fleet called round and told us where you were. They told us all about the Commodore's Cadets and how much you learn there. It sounds like you have a lot of fun."
Catherine nodded wildly. She almost missed her dad's brief frown before he picked up his empty cup as if to drink.
"Is there more tea?" her dad asked.
"I'll make a fresh pot," her mum said, stood up and headed for the kitchen.
Dad leaned close to Catherine. "The fleet men asked a lot about you, and about your friends."
Catherine tried not to gulp. "I hope you told the truth," she said, voice cracking as her throat suddenly felt dry.
"I didn't lie." Dad tapped a finger on the table and pursed his lips. "I... may have left out some details." He took a deep breath. "I didn't mention Anna."
(Actually I wanted to quote the bit that follows but the background would need a lot of explaining)
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
First one of the month is now posted in my journal:
http://forodwaith.livejournal.com/212337.html
Oh, and I'm taking requests (http://forodwaith.livejournal.com/211450.html) if you'd like your own personalized drabble.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Yay Picowrimo!
no subject
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)