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[identity profile] elmey.livejournal.com in [community profile] picowrimo
Here's today's post for your snippets, comments, thoughts.

on 2014-11-21 04:50 am (UTC)
Posted by [identity profile] espresso-addict.livejournal.com
Not so productive hunting today. Only 350 words and some editing, though there's a couple of sentences in that I was quite pleased with. I did make a teensy bit of progress on my plethora of bullet points for this scene.

Got a bit side-tracked on researching various things that weren't particularly helpful (especially as I convinced myself that one detail I have earlier of which I'm fond is probably a touch anachronistic), but I did get myself an image gallery of suitable models for the location, which hasn't yet turned into words but at least gives me something to refer to every time I want to describe bits of it.

I feel completely drained, so I'm going to get an earlier night...

on 2014-11-21 11:46 am (UTC)
Posted by [identity profile] silly-swordsman.livejournal.com
Here is one from yesterday:
The microbots spread, built more microbots. When they covered the side of the Moon facing Earth, their lights formed text:
"Advertise here!"
And here is one from today.
He saw the exit sign. Paused. Then he opened the door, stepped through, and left Reality. He had just planned to visit, not stay a lifetime.
Yesterday I had the sort of workday that made wish this was autobiographical. Still, the weekend's in sight, and tomorrow I'll go in to London to meet some good friends I haven't seen for years.

on 2014-11-21 02:29 pm (UTC)
Posted by [identity profile] saki101.livejournal.com
Lots more research and some exciting ideas (diagrams were drawn!), much of which I'll not have time to incorporate into the length story this will need to be considering the due date. Anyway, finished and polished somewhat the rest of the scene with Cerrig.

***

“In one of the caves, there is a soldier feverish from an arrow wound. Short, sturdy, light-haired with dark blue eyes, although those may well be closed,” Scryloc continued. He released Cerrig’s arm and pulled something from his pocket. He held out his closed fist, palm upwards and uncurled his fingers. A pointed stone with bits of bloodied wood attached lie in its centre.

Cerrig’s eyes grew round. “I’ll bring what’s necessary,” he said, starting to turn away.

“Wait,” Scryloc said, drawing a leather pouch from his pocket. He dropped the arrowhead inside. The tip of a black feather peeped from the opening as he tightened the leather strings. “Take care approaching him. He retains at least his sword. Show the arrowhead and the feather if he is awake. Lay them near him, if he is unconscious and wake him with words, not touch.”

“He has the sight?” Cerrig asked, taking the pouch.

“I believe so,” Scryloc said, “although it’s possible he is unschooled and exercised his gift unconsciously in extremis.”

The boy shouted that the cart was fully loaded. Cerrig waved his acknowledgement. “I hope I find him alive,” Cerrig said.

“Bring the body back if he isn’t,” Scryloc said, obliterating the map at their feet with broad strokes of his stick. “I would that I could go with you.”

Cerrig shook his head. “This close to the celebrations there would be panic and your brother would send half of Sarum searching for you.”

“No doubt,” Scryloc sighed. “Take Figden and an extra cart. Proceed as fast as you can; I’m not sure yet how much I can help from here.”

Long day, no words

on 2014-11-21 08:12 pm (UTC)
Posted by [identity profile] wiseheart.livejournal.com
Too tired to do anything even vaguely useful. I'll watch today's episode of "The World's Worst Movies" on German TV - it's going to be Sharknado 2, with the acerbic comments of Oliver Kalkofe - and than fall into bed. Especially as we're having the semi-annual flat cleaning frenzy tomorrow. Magic doesn't have a rat's chance to work. Sorry.

on 2014-11-21 09:20 pm (UTC)
Posted by [identity profile] six-old-cars.livejournal.com
A slightly sad day made it hard for me to get into the swing, but having written 300 words of blog post (http://six-old-cars.livejournal.com/29542.html) about that I did then manage 700 on the novel this evening.

There's some name place-holders in today's snippet. It's from the "sole developer plan" memory Catherine chose, and [Elise] should be Elise's surname when I've thought of one...

Elise knows what he really means. They want to take the project away from her, give it to some pure-bred Arcturan with no feel for the complexities of what she's already achieved. They didn't interrogate anyone after Arlan's breakdown or Johann's rampage.
“I can continue the work,” she says. “I work best alone.”
The guy nods, condescendingly, disbelief plastered over his face. “We realise that,” he says, fake charm on full. “Nobody's suggesting we replace you. But the few written minutes we have mention the importance of peer review. Surely you need an observer, at least. Just a second set of eyes.”
“Garbage!” Peer review indeed! Does he think she's stupid, not to see through that? “Only one observer is needed, and that's me. I don't know who said otherwise but-”
“It was you, Doctor [Elise].”
For a moment, Elise has no idea what he's talking about. What did she say, when? And why? She thinks back over the conversation and it's like a dream, like the engram replays, like watching somebody else's thoughts.
“Multiple observers,” she says, “would be essential in application. The perspective...” She tries to order her thoughts but everything's hazy, double-exposed.
“No one person will ever be guaranteed to catch every nuance,” the colonel reads off his pad. “That's what you said.”
“Yes.” She has a sense of deja-vu. “Arlan might be convinced he can catch everything by repeatedly reviewing the same memory but he won't. Karl and I definitely spot things he doesn't.”
“But Karl isn't around any more, neither is Arlan.”
“What?” She feels hollow from the news, the sense of loss. Like she had when she first heard the diagnosis. She knows they're gone. How could she have forgotten?
“Are you okay, Doctor [Elise]?”


(The problem with this is I'm trying to portray a mind that's on the edge, and I don't know if it works)

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